With Bernd Brabec de Mori*
From ritu al practices among Indigenous people to clinical music therapy in post-indu strial contexts, the investigation into the effects and impacts of sound an d music on wellbeing constitutes a burgeoning area of scholarly inquiry. St udies in music psychology and clinical music therapy isolate specific music al techniques and sounds in laboratory and clinical contexts, while ethnomu sicological and anthropological investigations contextualise sound and musi c, seeing them as integral parts of specific societies and their respective worldviews and constructions of meaning. However, the specific relationshi p between the practical applications of sound and music and the metaphysica l experiences and manifestations associated with corresponding health pract ices, has hitherto received little attention, especially in contemporary Ce ntral European contexts of music therapy and sound healing.
Based on a series of interviews and participant observation among musical health pra ctitioners, I will present some preliminary findings on their ontological c onstructions of musical efficacy: which entities do exist in the musical un iverse, how are these conceived and interacted with, and how can they be ta lked about in a modern European language. These preliminary findings will b e put into relation with work in the ontology of sound and listening, as we ll as with Indigenous cosmological constructions of musical efficacy. Thus, a contextualization of modern Central European concepts among concepts fro m different parts of the world can be envisioned and will be discussed.
* Bernd Brabec de Mori received his PhD in musicology from the Universit y of Vienna. He has been working for five years in the field among Indigeno us People in the Peruvian lowland rainforests. After returning to Europe in 2006, he has been teaching and researching, among other institutions, at t he Phonogrammarchiv of the Austrian Academy of Sciences, at the department for social and cultural anthropology at Philipps-University Marburg, at the centre for systematic musicology of Karl-Franzens-University Graz. Current ly he holds a tenure track position at the University of Innsbruck, Austria . He published a couple of books, among them Die Lieder der Richtigen Me nschen [Songs of the Real People] (2015), Sudamérica y sus mundos audib les [South America and its auditory worlds] (2015), and Auditive Wissens kulturen [Auditory knowledge cultures] (2018), as well as research arti cles in the areas of Indigenous vocal music, medical ethnomusicology, sound perception, and auditory knowledge.
ORCID:0000-0002-2150-4924<
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With Bernd Brabec de Mori< /strong>*
From ritual practices among Indigenous people to clinical m usic therapy in post-industrial contexts, the investigation into the effect s and impacts of sound and music on wellbeing constitutes a burgeoning area of scholarly inquiry. Studies in music psychology and clinical music thera py isolate specific musical techniques and sounds in laboratory and clinica l contexts, while ethnomusicological and anthropological investigations con textualise sound and music, seeing them as integral parts of specific socie ties and their respective worldviews and constructions of meaning. However, the specific relationship between the practical applications of sound and music and the metaphysical experiences and manifestations associated with c orresponding health practices, has hitherto received little attention, espe cially in contemporary Central European contexts of music therapy and sound healing.
Based on a series of interviews and participant observation among musical health practitioners, I will present some preliminary findin gs on their ontological constructions of musical efficacy: which entities d o exist in the musical universe, how are these conceived and interacted wit h, and how can they be talked about in a modern European language. These pr eliminary findings will be put into relation with work in the ontology of s ound and listening, as well as with Indigenous cosmological constructions o f musical efficacy. Thus, a contextualization of modern Central European co ncepts among concepts from different parts of the world can be envisioned a nd will be discussed.
* Bernd Brabec de Mori received his PhD in musi cology from the University of Vienna. He has been working for five years in the field among Indigenous People in the Peruvian lowland rainforests. Aft er returning to Europe in 2006, he has been teaching and researching, among other institutions, at the Phonogrammarchiv of the Austrian Academy of Sci ences, at the department for social and cultural anthropology at Philipps-U niversity Marburg, at the centre for systematic musicology of Karl-Franzens -University Graz. Currently he holds a tenure track position at the Univers ity of Innsbruck, Austria. He published a couple of books, among them Di e Lieder der Richtigen Menschen [Songs of the Real People] (2015), Suda mérica y sus mundos audibles [South America and its auditory worlds] (2015) , and Auditive Wissenskulturen [Auditory knowledge cultures] (2018), as well as research articles in the areas of Indigenous vocal music, medic al ethnomusicology, sound perception, and auditory knowledge.
O RCID:0000-0002-2150-4924
DTSTAMP:20260531T133215 DTSTART;TZID=Europe/Paris:20220919T100000 DTEND;TZID=Europe/Paris:20220919T120000 SEQUENCE:0 TRANSP:OPAQUE END:VEVENT END:VCALENDAR