BEGIN:VCALENDAR VERSION:2.0 PRODID:-//jEvents 2.0 for Joomla//EN CALSCALE:GREGORIAN METHOD:PUBLISH BEGIN:VTIMEZONE TZID:Europe/Paris BEGIN:STANDARD DTSTART:20140301T140000 RDATE:20140330T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:STANDARD DTSTART:20141026T020000 RDATE:20150329T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:STANDARD DTSTART:20151025T020000 RDATE:20160327T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:STANDARD DTSTART:20161030T020000 RDATE:20170326T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:STANDARD DTSTART:20171029T020000 RDATE:20180325T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:STANDARD DTSTART:20181028T020000 RDATE:20190331T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:STANDARD DTSTART:20191027T020000 RDATE:20200329T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:STANDARD DTSTART:20201025T020000 RDATE:20210328T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:STANDARD DTSTART:20211031T020000 RDATE:20220327T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:STANDARD DTSTART:20221030T020000 RDATE:20230326T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:STANDARD DTSTART:20231029T020000 RDATE:20240331T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:STANDARD DTSTART:20241027T020000 RDATE:20250330T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:STANDARD DTSTART:20251026T020000 RDATE:20260329T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:STANDARD DTSTART:20261025T020000 RDATE:20270328T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:STANDARD DTSTART:20271031T020000 RDATE:20280326T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:DAYLIGHT DTSTART:20140330T030000 RDATE:20141026T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Paris CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20150329T030000 RDATE:20151025T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Paris CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20160327T030000 RDATE:20161030T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Paris CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20170326T030000 RDATE:20171029T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Paris CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20180325T030000 RDATE:20181028T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Paris CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20190331T030000 RDATE:20191027T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Paris CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20200329T030000 RDATE:20201025T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Paris CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20210328T030000 RDATE:20211031T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Paris CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20220327T030000 RDATE:20221030T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Paris CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20230326T030000 RDATE:20231029T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Paris CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20240331T030000 RDATE:20241027T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Paris CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20250330T030000 RDATE:20251026T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Paris CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20260329T030000 RDATE:20261025T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Paris CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20270328T030000 RDATE:20271031T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Paris CEST END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:52044e97df3e27b425b4c651cfb2a4e0 CATEGORIES:Séminaire du CREM, CREM CREATED:20170630T120448 SUMMARY:Transforming African Music Cycles in 12 Easy Steps, Michael Tenzer LOCATION:Lesc – salle 308F (3e étage) - 21\, allée de l’Université\, Nanterre\, \, 9 2000\, France DESCRIPTION:Avec Michael Tenzer, ethnomusicologue, Professeur à l’University of British Columbia.
Seminaire Tenzer
This paper, an exercise in speculative music theory, studies two African cyclical stru ctures of very different origins and hypothesizes deep structural connectio ns between them. Rhythm and grouping, and the idea of directed compositiona l process—specifically, the process of transposition—are considered.   I depart from a hunch that the cycles, even with different numbers of pulsa tions or available pitch-classes, can be shown to be based on compelling pr inciples of equivalence.

The analysis juxtaposes the Zimbabwean  mbira dzavadzimu tradition’s Nhema Musasa (kush aura part only) and the recording of Hindehu f rom the Central African Republic (Arom 1998). The presentation moves step-b y-step from one piece to the other, using transformations that leave the im portant structural features undisturbed. The process raises questions about musical ontology and the history of compositional practice.  As for t he significance of the findings, they are critically considered in light of related previous research by Kubik 1988, England 1995, Brenner 1997, and F ernando 2009.  

Michael Tenzer is Profess or of Music at the University of British Columbia in Vancouver. He has been active as performer, composer, and scholar. His book Gamelan Gong Keby ar: The Art of Twentieth Century Balinese Music (Chicago 2000) was the recipient of an ASCAP-Deems Taylor Award and the Society for Ethnomusicolo gy’s Merriam Prize for book of the Year, and his two edited volumes on Analytical Studies in World Music (Oxford 2006, and 2011 [co-edited wi th John Roeder]) have helped revitalize the practice of analysis in ethnomu sicology.

Son site internet: http://www.michaeltenzer.com X-ALT-DESC;FMTTYPE=text/html:Avec Michael Tenzer, ethnomusicologue, Professeur à l’University of British Columbia.
Seminaire Tenzer
This paper, an exercise in speculative music theory, studies two African cyclical structures of very different origins and hypothesizes deep structural connections between them. Rhythm and grouping, and the idea of directed compositional process—specifically, the process of transpositi on—are considered.  I depart from a hunch that the cycles, even with d ifferent numbers of pulsations or available pitch-classes, can be shown to be based on compelling principles of equivalence.

The analysis juxtaposes the Zimbabwean mbira dzavadzimu tradition’s Nh ema Musasa (kushaura part only) and the recording of  Hindehu from the Central African Republic (Arom 1998). The presentation moves step-by-step from one piece to the other, using transfor mations that leave the important structural features undisturbed. The proce ss raises questions about musical ontology and the history of compositional practice.  As for the significance of the findings, they are critical ly considered in light of related previous research by Kubik 1988, England 1995, Brenner 1997, and Fernando 2009.  

Michael T enzer is Professor of Music at the University of British Columbia in Vancouver. He has been active as performer, composer, and scholar. His b ook Gamelan Gong Kebyar: The Art of Twentieth Century Balinese Music (Chicago 2000) was the recipient of an ASCAP-Deems Taylor Award and the Society for Ethnomusicology’s Merriam Prize for book of the Year, and his t wo edited volumes on Analytical Studies in World Music (Oxford 200 6, and 2011 [co-edited with John Roeder]) have helped revitalize the practi ce of analysis in ethnomusicology.

Son site internet: http://www.michaeltenzer.com DTSTAMP:20260601T045905 DTSTART;TZID=Europe/Paris:20150302T140000 DTEND;TZID=Europe/Paris:20150302T160000 SEQUENCE:0 TRANSP:OPAQUE END:VEVENT END:VCALENDAR